Evangelos Mavronas belongs to those painters that humbly and tenaciously reproduce post-byzantine creations and specifically Cretan painters.
His choices are not guided by a dehydrated adherence in past models but by the need of creative reformation of, work valorised in the conscience of church, famous at their time artists. Present requirements often lie in more fertile past resorts than those that barren historism offers.
Mavronas collaborates for years with the Benaki Museum, supplying its sho...
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